Best Music of 2013 (So Far)

The title is somewhat misleading: this is the best music I've heard in 2013, not necessarily made in 2013. There are 15 tracks from the 1000 Recordings that made the cut; classical, rap, country, folk and rock. You'll find a varied mix of my favorite songs of the last 4 months.

After those 15 songs I've thrown in my favorites that WERE made this year. 27 songs of up-and-comers and established hit makers. I try not to ignore the music being made today while I catch up on the classics of the past. So check it out below or at the link here. Listen to it in order for 1000 Recordings first, or select shuffle for a very eclectic mix. (Here is a link to just the 1kR mix and one for the 2013 mix).

And download Spotify! It's free (if you don't mind the ads) and one of the best ways to discover new music. The artists get paid pretty much jack squat when you stream their songs, but there are a lot of artists I would never have seen live or bought the album if I hadn't heard it free first.


Related Posts:

• 1000 Recordings Sampler Episode 3
• 1000 Recordings Sampler Episode 2
• 1000 Recordings Sampler Episode 1

COVER: Mike's 1000 Cover the Recordings

Last week the 1000 Recordings Podcast guys hooked the ultimate interview: the book's author Tom Moon. Before you read any further, I recommend you go check it out, and at least listen to the opening, where Moon talks about how he compiled the book.

After listening to his criteria (imagining that he is trying to introduce the world of music to a very receptive teenager rather than "The Best" or "The Most Influential") I have had to reevaluate my own "Mike's 1000" choices. I think I would still include the ones I have, but I think Moon's list has become even more subjective than it already was. It's hard to argue against playing any particular entry for someone when you are just trying to expose them to music (although, in some ways this has helped me think of more entries that I feel are missing).

Regardless of where my "Mike's 1000" list will go in the future, the three acts I've picked so far, Sun Kil Moon,  Iron & Wine, and Sublime, have all covered a recording that appears on the list. SKM and I&W, in particular, may be more well known for their covers than they are as originators. All three of these covers are fine tributes, and in the case of Iron & Wine, possibly better than the original. Check out the covers below, and then compare them to the originals at the bottom of the page.

Sublime - "Rivers of Babylon" (The Melodians cover, filed under Jimmy Cliff' in the book)
Sun Kil Moon - "Send in the Clowns" (written by Stephen Sondheim, sung by Glynis Johns in the book)
Iron & Wine - "Waitin' for a Superman" (The Flaming Lips cover)

The originals:

Mike's 1000: Entry #1

For the most part, I think the "1000 Recordings to Hear Before You Die" got it right. I can't say much about the classical, opera, R&B, gospel, but as far as rock and blues, which I know a bit about, I think Tom Moon made some great picks. I do have a couple of nitpicky problems with the list, though (6 Beatles albums? Godsmack?) and I've decided that every 25 entries I am going to do an entry about a recording I think should have made the cut (plus I am working my way through my first box set, so the next post may be awhile).



Artist: Iron & Wine
Album: The Creek Drank the Cradle
I'm really surprised this one didn't make it on the list. Tom included indie darlings The Decemberists, Sufjan Stevens, Neko Case, Bright Eyes, Belle & Sebastian, and the Arcade Fire, but he missed Sam Beam's project that really gave weight to self-produced "bedroom" folk. Beam, otherwise known as "Iron & Wine," was working as a college professor when he was discovered playing live by an exec from Sub Pop who requested a demo. As the story goes Beam sent 2 full CDs worth of hushed guitar and banjo folk he recorded in his home studio, and the label plucked their favorites and released them "as is" (the B-sides can be found on the excellent 2 disc collection "Around the Well").
Beam's voice barely whispers his haunting, religious-imagery-filled lyrics over supremely played fingerpicked and slide guitar and the occasional banjo. Besides this instrumentation and Beam's own backing vocals there are no other additions. Songs like "Lion's Mane," with its brooding lyrics on the meaning of love over a sublime guitar part and the southern folk inspired "The Rooster Moans" which has a steady, railroad train rhythm perfectly highlight how Beam can take a simple concept and turn it into a masterpiece.
There isn't a weak track on this album, and its release foreshadowed the direction folk music was heading (see acts like Bon Iver, Department of Eagles, and Fleet Foxes as examples of bands building on Beam's steam) in the early 2000's. Beam followed up with "Our Endless Numbered Days," on which he added drums and backing vocals from his sister, and his third outing, "The Shepherd's Dog," (which charted at #24) filled out the rest of his sound with electric guitars and horns. But this original recording by Iron & Wine, in its simple, understated form, is worth taking a look at, and listening closely to. As minimalist as it seems at first, repeated listenings reveal powerful, deep lyrics and perfectly matched music.

Buy The Creek Drank the Cradle at Amazon